cinema

Harry Potter...

read more

Angelina Jolie is making a career transition from her Action-Adventure "Lara Croft" onscreen persona to the dramatic actress that she desires to become in the dramamentory A Mighty Heart, a true story of a journalist who ventures far into foreign lands to research an article on terrorist activities that emigrate into the United States and is kidnapped by his news source's associates.

read more

Like every other movie lover, I spent one night last weekend at The Da Vinci Code. I didn't expect much, in fact, I expected annoyance at the film's poor dialogue and unavoidable melodrama, but my aggravation came slightly sooner than I had expected. One of the trailers shown before the film was for Oliver Stone's long-time-coming 9/11 story. A mustachioed Nicolas Cage appears on the screen, a la Joaquin Phoenix in Ladder 49. There are some big explosions followed by some grand music and Nicolas Cage imparting hope to his fellows trapped under the wreckage of the building. This is a problem for me. In the wake of the bore that was United 93, I am tired of the exploitation of tragedy. The difference here is in the fact that United 93 attempted to keep the film mundane and empathized with its audience. The lack of big name stars and outlandish special effects were both testaments to some vestiges of artistic and humane integrity. All that aside, I'd still call it an exploitation of a tragedy that has not yet come to rest. Stone's exploitation, however, is sickening and simply intolerable. With the current instability of international affairs in this country and the problems that have risen from 9/11, it is obvious that this wound is worse than unhealed, it's still open and bleeding.

read more

Every time we sit in front of the television screen or go to movies we wonder, How will they do to create the stories?, How do they make it?; If you want to learn it, then I invite you to do the following exercises and then we’ll see the final result.

read more